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Film Festival Documentary

Reflections on Contemporary Documentary Cinema

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Chris Cagle
Temple University

ccagle@temple.edu

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CategoryPoetic

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By : ccagle November 19, 2020

The Burden of Words

When the spoken exposition takes the upper hand.

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By : ccagle December 17, 2019November 19, 2019

The Humanist Portrait

What does it mean for a documentary to be humanist?

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By : ccagle November 8, 2019

The Non-Expository Prologue

Thinking about how prologues can function differently.

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By : ccagle November 4, 2019

Essay Film as Meta-History

More hybridization of the poetic and essay film genres.

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By : ccagle October 31, 2019

Time Lapse

The favorite tool of popular-poetic documentery

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By : ccagle October 18, 2019

The Sociology of Institutions

Melancholy and the essay film form.

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By : ccagle October 17, 2019

More on Contrapuntal Form

Thinking about how popular documentary can adapt to the festival film – or vice versa.

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By : ccagle September 10, 2019

Ambiguity and Disambiguity

The role of ambiguity in the festival documentary.

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By : ccagle August 15, 2019

Quirkumentary and Festival Docs

Interrogating the idea of the quirkumentary

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By : ccagle April 23, 2019April 24, 2019

Multi-part construction

When structure is made explicit.

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By : ccagle April 20, 2019April 23, 2019

Contrapuntal Form

The concurrence of multiple documentary “dramas”

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By : ccagle October 23, 2018

The Expository Title

The expository mode makes a surprise reappearance.

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By : ccagle October 8, 2018

The Performative Camera

When the personification of the camera gets wedded to documentary theme.

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By : ccagle October 3, 2018October 3, 2018

Remembering Spaces

Much of the drama of poetic documentary comes in how a familiar stylistic approach might be harnassed unpredicatbly.

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By : ccagle September 14, 2018April 24, 2019

Procedural Meets Poetic

Turning the poetic mode against expectations.

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