A good documentary can start with an idea but hopefully not one too developed.
Are certain directorial choices of framing foreign to documentary?
The conceptual dimension of ubiquitous filmmaking decisions.
In defense of observational cinema.
Unlike reenactment per se, pretext is generally recognized only by other documentary makers or those familiar with the production process.
Loglines: can’t live with them, can’t live without them.
Editing strategies in documentary deserve more attention.