When the historical recollective documentary film takes on elements of the essay film – or vice versa.
How best to explain the convergence of the documentary world with experimental cinema?
The expressive possibilities of anti-realist Foley sound.
Loglines: can’t live with them, can’t live without them.
There are a number of documentaries about fine arts. Do these function as a type of heritage cinema?
Editing strategies in documentary deserve more attention.
The film bills itself as doc-fiction, but the straight-doc elements are in many ways more engaging.
From ruin porn to pop defamiliarization.
“The classic realist text cannot deal with the real as contradictory.” – Colin MacCabe, “Realism and the Cinema: Notes on some Brechtian theses.” (1974)