Reverse engineering the enigma.
Poetic documentary, between trope and cliché.
Walking the line between omnivorism and discernment.
The affinity of conspiracy material for puzzle-film construction.
So frequently, festival documentaries imagine a foreign spectator, looking from the outside in.
The symbiotic relationship between biography and personality.
When the historical recollective documentary film takes on elements of the essay film – or vice versa.
How best to explain the convergence of the documentary world with experimental cinema?
The expressive possibilities of anti-realist Foley sound.
Loglines: can’t live with them, can’t live without them.
There are a number of documentaries about fine arts. Do these function as a type of heritage cinema?
Editing strategies in documentary deserve more attention.